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Snow. Igloo. Fractal.

While observing the family unit, in its biographical sense,

Boulud dives into the depths of the psychological architecture of classical structures and Formations from the world of photography

Which include components like, face, camera, body, lens.

While dismantling and reassembling, Boulud examines the possibility of creating revised DNA. New, from scratch, from zero pieces of evidence.

This is a pipping window into a night journey, in which an imaginary crime scene takes place

Drawn from the visual cinematic worlds of the 1980s

With an emphasis on the area of ​​her childhood and the "children of the North" who grew up in America and remained wandering around the world.

Here is the evidence.

THE CRIME SCENE

THE MISSING KIDS

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ONE THING LED TO ANOTHER

THE WITNESSES | THE PUNISHMENT

X-POLA. PLAY TIME.

ORIGIN

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KADISH

WHAT THEY LEFT BEHIND

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